I've become accustomed to not sampling and trying to make original stuff sound like sampling. "It's much more of a challenge for me to put together something without a sample. It's often the essence of many producers do, but what about Seven? Does Strange's emphasis on original, live production hinder his ability to sample? Now live instrumentals are great, but any producer (or hip-hop head) will tell you a producer without samples is like Lebron with out the ability to dribble. I need to put live bass on it.' So I have a team of musicians I work with and call them in to work on the parts and put it all together. I love to start working on a track and as it comes to, be like, 'okay, it needs to have guitars. Where guys like Statik and !llmind deal with samples and kits, Seven has a different experience because of the emphasis on the live instrumentation. In my opinion, that distinct, violently epic sound is due in large part to Seven's style of production, which is heavily based on live instrumentation. When you feel the frenetic, potent beat melting your face off and you wake up delirious, with blood leaking from your ears, you know you just heard a Seven beat. Or maybe, rather, Seven's sound and Strange Music's sound have become almost indistinguishably symbiotic. While those artists, (Rittz and Brotha Lynch Hung for example) are different, there is still a distinct Strange Music sound running through them. As Seven alluded to, there are plenty of other artists who use his canvases. Now, Tech might be the face of Strange, but he certainly isn't the only emcee chomping at the bit for Seven's production. Let's take it back to where, at least for Seven and Tech, it all started. Of course, before performances on Jimmy Kimmel and energy drink partnerships there was just a teenage producer and a hungry emcee. With the help of an incredible arsenal of talented artists, a rigorous touring schedule and, of course, the production of Summers, Strange Music has become one of the most successful independent labels around. If not, all you need to know is that they are the leaders of this new independent era. If you are reading this, I am going to assume you already know the deal with Strange Music. He was like, 'that's who you need to be working with!'" I was with this artist I was producing for and Tech went up to perform with Nuthouse at this intermission. There was a talent show in Topeka and they had a guest act during intermission. It is now a word to generally describe full-length albums released for free, which is the modern form of mixtape that was made a popular following by 50 Cent and his group G-Unit in the early 2000s, sometimes containing all original music, other times composed of freestyles and remixes of popular tracks."There was an artist in Topeka that I was working with when I was 14 or so and I remember Tech used to be in a group called Nuthouse. In the hip hop scene, mix tape is often displayed as a single term mixtape.
Also since the 1990s, it describes releases used to promote one or more new artists, or as a pre-release by more established artists to promote upcoming "official" albums. Blend tapes became increasingly popular by the mid-1990s, and fans increasingly looked for exclusive tracks and freestyles on the tapes. Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as "blends"). In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop. (who later became known as Whiz Kid) and DJ Super V would create personalized House Tapes which would eventually circulate throughout New York City. In the late 70's into the early 80's DJs began recording mixtapes out of their homes, referring to them as House Tapes. As more tapes became available, they began to be collected and traded by fans. Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaataa. In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows.
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